Deriving from the Ancient Manuscript
King Raja Bhoj, a great warrior and philosopher of the
eleventh century, wrote the ancient text of Samrangana
Sutradhar in Sanskrit. It is a discourse in 83 chapters and 7500 shlokas (verses), on civil engineering
detailing construction of buildings, forts, temples, idols of deities and
mechanical devices. The mythology surrounding the
book states that, the God of architecture Vishwakarma sends his four sons in
four directions to colonise the earth, his son Jaya poses several questions
pertaining to geology, astrophysics, measurements, norms of town planning,
residential houses, colonising, temples, military camps, etc. These questions are
then answered by Raja Bhoj in the Samrangana
Sutradhar.
The text describes the planning theory from part to whole
by stating that a dwelling lies in a locality, which forms a part of a town,
which is a limb of the earth. The manuscript begins with Mahasama- Prithvi, invocation to the earth as it talks about how
one can describe earth. Then there
is a focus on the individual as a composition of the Panchamahabhutas – the five basic elements, which are earth, water,
fire, air and ether and how their interplay leads to Tanmatras.
Ashtangulakhna-
the eight gunas (good points) are
emphasized while planning a town, namely, selection of land, its elevation,
quality of clay, water supply, direction of sun & wind and its
surroundings. Vastusanthana matrika -
the plan is then organized in a square grid that reflects the social
organization, accessibility and security. Vastupurusha
or the cosmic being is embedded not only in the planning of a dwelling but also
that of a town. The Vastupurusha in
town planning also has some susceptible organs and strategic positions- the Marmavedha, which are the king’s palace,
treasury and the army headquarters.
There are sixteen types of dwellings Prasadas, up to 12 storey that have been described in the text,
with details about orientation, sun, wind, dimensions and space organization,
wall painting, etc. considering factors of astronomy and astrology. These
formed prototypical dwellings and patrons could instruct the architect that he
would like a Kailasa or a Sarvatobhadra (types of dwellings) house
and the architect would understand what was expected of him. Something that is even
found in practice today, where prototypical design styles have been identified
by the masses and the architect is instructed by the client to produce a
“prototypical” piece of architecture, where design elements, materials and
aesthetics of the structure are already prescribed.
For a thorough understanding of the script one must
familiarize with other related texts such as, Natyashastra (for sculptures and postures), Matsyapurana (for measurements of limbs of idols), Shilpashastra (making of a sculpture),
etc. Construction and description
of the Nagara and the Dravida style temples has been
illustrated in the text. This shows the extent of the king’s research and
knowledge that must have taken him across the country.
It is intriguing to know that there is also a chapter on
failures in construction and building. How faulty brick construction can cause
a calamity in the owner’s house if not rectified. Qualities and drawbacks of
brick masonry are mentioned as Suvibhakta
(without vertical joints),Samah
(levels) and Caru (aesthetics of
brick bonds). The craftsmen had evolved their own communication device, which
speaks of a progressive generation where modes of communication and knowledge
were passed on without adultery.
A chapter on constructing mechanical devices explains
basic principles of making these machines, but details are not revealed to
prevent misuse. The theories of these mechanical creations must have stemmed
from a deep knowledge of science and mathematics that must have existed in the
society then.
(Word count- 674)
(Word count- 674)


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